The Crew-Cuts were a Canadian vocal quartet, that made a number of popular records that charted in the United States and worldwide. They named themselves after the then popular crew cut haircut, one of the first connections made between pop music and hairstyle. They were most famous for their recording of a cover version of The Chords hit record, "Sh-Boom."
- Rudi Maugeri (January 21, 1931 - May 7, 2004) (baritone)
- John Perkins (born August 28, 1931) (lead)
- Ray Perkins (born November 24, 1932) (bass) (John Perkins' brother)
- Pat Barrett (born September 15, 1933) (1st or high tenor)
They all had been members of the St. Michael's Choir School in Toronto, which also spawned another famous quartet, The Four Lads. Maugeri, John Perkins, and two others (Bernard Toorish and Connie Codarini) who later were among the Four Lads first formed a group called The Jordonaires (not to be confused with a similarly named group, The Jordanaires, that was known for singing backup vocals on Elvis Presley's hits) and also The Otnorots ("Toronto" spelled backwards being "Otnorot"), but they split from the group to finish high school. When the Four Lads returned to Toronto for a homecoming concert, John Perkins and Maugeri ran into each other and decided that they could themselves have a musical future. They joined with Barrett and Ray Perkins in March 1952. The group was originally called The Four Tones (not to be confused with The Four Tunes, a group on the borderline between pop music and rhythm and blues).
A Toronto disk jockey, Barry Nesbitt, put them on his weekly teen show, whose audience gave the group a new name, The Canadaires. All four of the members were at the time working at jobs with the Ontario government, but quit their jobs to sing full-time. They worked clubs in the Niagara Falls, Ontario, and Niagara Falls, NY area, but saved up their money and drove to New York City, so they could appear on Arthur Godfrey's television and radio program, Talent Scouts, where they came in second to a comedian. While they did get a record with Thrillwood Records and recorded a song titled "Chip, Chip Sing A Song Little Sparrow", this led to no improvement in their fortune, however, and they continued playing minor night clubs.
In March 1953, they returned to Toronto and appeared as an opening act for Gisele MacKenzie at the Casino Theatre. She was impressed with them and commented favorably to her record label, but could not remember the group's name.
They were playing in a Sudbury, Ontario, night club in a sub-zero Canadian winter when they received notice that they had been invited to appear as a guest on a Cleveland television program. They drove 600 miles at -40° temperatures to appear on the Gene Carroll show, where they remained for three appearances and also, while in Cleveland, met local disk jockey Bill Randle. On his show, on Cleveland radio station WERE (1300 AM), he coined the name that would from that point on belong to the group. In addition, Randle arranged for them to audition with Mercury Records, who liked them enough to sign the quartet to a contract.
The name Crew Cuts refers to their short hair as opposed to long hair, which implied classical music at the time. It was a decade later that long hair came to be associated with the counter-culture movement.
Although their first hit, "Crazy 'Bout You, Baby," was written by Maugeri and Barrett themselves, they quickly became specialists in cover recordings of originally-R&B songs. Their first cover, "Sh-Boom" (of which the R&B original was recorded by The Chords) hit #1 on the charts in 1954. A number of other hits followed including "Earth Angel" which rose to the number 2 spot on the charts and had great success in England and in Australia.
Interestingly, many of the non-cover songs of theirs that became hits in Canada were unknown in the United States of America, while it was only their covers that had great success in the United States.
The group moved from Mercury to RCA Records in 1958 and eventually broke up in 1964, but they all moved to the U.S. and reunited in Nashville, Tennessee, in 1977. In the 1990s they were inducted into the Juno Hall of Fame. In recent years, the three remaining members have appeared on a PBS special filmed in Atlantic City's Trump's Taj Mahal. The program. "Magic Moments: The Best of '50s Pop" continues to air as part of the fund raising efforts for the Public Broadcasting System.
A remix of their version of the song "Sh-Boom" was featured in the credits of the video game Destroy All Humans!. The original recording of their song "Sh-Boom" can also be heard on one of the in-game radio stations in Mafia II .
- "All I Wanna Do" (1954) (flip side of "The Barking Dog")
*"Angels In The Sky" (1955) (flip side of "Mostly Martha")
*"The Barking Dog" (1954) (flip side of "All I Wanna Do")
* "Bei Mir Bist Du Schoen" (1956) (The best known version of this song was a much-earlier one by The Andrews Sisters.)
*"Be My Only Love" (1957)
*"Carmen's Boogie" (1955)
*"Chop Chop Boom" (1955) (flip side of "Don't Be Angry")
*"Crazy 'Bout You Baby" (1954)
*"Dance Mr. Snowman Dance" (1954)
*"Don't Be Angry" (1955) (flip side of "Chop Chop Boom")
*"Earth Angel" (1955) (flip side of "Ko Ko Mo")
*"Gum Drop" (1955) (written by Rudy Toombs)
*"Halls Of Ivy" (1956) (This song was used as theme music for a television program of the same name.)
*"Hey, You Face" (1957) (flip side of "Susie Q")
*"Forever, My Darling" (a song most of whose other versions were titled "Pledging My Love") (1958) (flip side of "Hey! Stella")
*"Hey! Stella" (1958) (flip side of "Forever, My Darling")
*"I Like It Like That" (1957)
*"I Sit In The Window" (1957)
*"Ko Ko Mo (I Love You So)" (1955) (flip side of "Earth Angel")
*"Legend Of Gunga Din" (1959)
*"Love In A Home" (1956)
*"Mostly Martha" (1955) (flip side of "Angels In The Sky")
*"Over The Mountain" (1959)
*"Seven Days" (1956)
*"Slam Bam" (1955)
*"A Story Untold" (1955)
*"Susie Q" (1957)
*"Tell Me Why" (1956) (This song was also recorded by Gale Storm).
*Twinkle Toes (1953) (with David Carroll and His Orchestra)
*"Unchained Melody" (1955) (This song was better known in versions by Al Hibbler and Les Baxter).
*"Whatever, Whenever, Whoever" (1957)
*"The Whippenpoof Song" (1955)
*"Young Love" (1957) (This song was better known in versions by Sonny James and Tab Hunter).